EVAN HAYDEN // blog

BUSY BOY


busy cat

Hello everyone! (anyone?) Just wanted to drop a quick message here to say that I haven’t forgotten about my art site. I’ve just been super bogged down with work deadlines for a long time, and haven’t had time to make any non-work art, or even to update the manga work section of my site. (I’ve done a bunch of new titles and want to show them off!)

 

Lots of major life events too! In the – uhhh – two and a half years since I posted here, I:
Moved back to the USA (and helped my wife Miwa immigrate too, of course!)  I miss Japan dearly, but I had to move back to the midwest for a while since my parents have been having major health problems and needed help. Nice to be living with my cats again though!
Bought a house! I live in Toledo OH. Despite missing Japan, I do love my little house and my wife and I have been having fun making it a home.
Became a dad! Miwa and I welcomed our son Felix into this world on January 31st 2020, you know, shortly before the world as we knew it fell apart. He made 2020 and onward much better for us than it would have been otherwise. Love the little dude.

 

Anyway, things may be getting slightly more relaxed this summer, so stay tuned for a big update. I post semi-regularly on Twitter, if you wanna check out my little missives around manga lettering, politics, and 90s-GIF-retweeting. I started a total overhaul of my website at the start of the year, and that got put on hold and it’s about half done. I hope to get it done this summer. In the meantime, be good to yourself, and to others, and I’ll see you soon.



A Boy and His Bike


A Boy and His Bike

I was feeling pretty inspired after that last post, so I made a new illustrated-photography piece. Pretty rare for me to do self-portraits, and even rarer to do two in a row, but this one is special in a couple ways. First, it’s me, way back when I was seven or eight, at Christmas, receiving my first bicycle. I was playing it cool for the camera, but I was totally stoked! This is also unique in that it’s the first illustrated-photo where I’ve used a photo taken by someone else, in this case, my mom. (Thanks mom!) It was really neat to work on this, because it felt like time traveling 30 years back in time. I still remember that day clearly. That gleaming blue and silver bike. That Garfield reflector. It being a frigid Michigan winter day, but me riding the heck out of my new wheels. Sadly, that bike got hacked up in high school by a friend who wanted to experiment with BMX customization (and he kind of mangled it in the process). I gave it, in its current form, to another friend of mine last year, so he could use it for something. I trust him to put it to better use, and even though I have fond feelings for it, it’s not that usable in its current state, thanks to high school dude. After doing this piece, I feel a bit wistful, and miss the bike. I can’t use it myself, obviously, but now that my wife and I are thinking of expanding our family to three in the future, it would be neat to see if it could be fixed up and given to future kid someday. Oh well, you can’t go backwards…

 

Fun fact, this is my 50th illustrated-photo done on computer, and 76th overall. The first one I’ve done with the combination of CG/Wacom and film photo, and (as mentioned) the first one done using someone else’s photo. Here’s to another 50!



Lantern


Lantern

I moved to Nagasaki Japan in January 2013, and as I type this at the end of 2018, my chapter here will likely soon be coming to an end. If all goes according to plan with immigration, my wife Miwa and I will be living in my home state of Michigan soon. All these years in this lovely Kyushu city have fundamentally changed me. No matter where I go, I feel that the experiences I’ve had here have made me look at the world differently and helped me to better shed some of my own cultural baggage and biases. Living abroad has helped me to feel stateless, in a good way. The distance I’ve had from my home country has made me feel more distant from it in some ways, and other experiences have brought my heart closer. My time in Japan has etched a part of that culture into my heart, while some experiences have reminded me how foreign I am in this archipelago. If it makes any sense, it’s brought me closer to myself as an internationally-minded person.

 

My previous illustrated-photography piece, Tatemae, dealt with the “masks” that we all wear when interfacing with the world. This deals with some of what’s behind my mask, and one of the things that will forever be a part of me is Nagasaki.

 

I made this work to be an album cover for a hopefully-upcoming album of my music. I’m way out of practice with making music, and despite my rabid desire to get back into it, and my wealth of ideas, I am always too busy with work to really get down to it. I finished this art seven months ago, and rather than let this artwork wither away without anyone seeing it, I’m posting it now, in hopes that I will get that album done later when there’s time.

 

While it may look like a simple wireframe, the image of my inner-self is that of an illuminated paper lantern, modeled after the giant, beautiful lanterns on display every February in Nagasaki’s Lantern Festival. The eyes, contain pentacles, which may look vaguely occult to some folks, but it’s actually the logo from the flag of Nagasaki, and can be found on official documents, and almost every manhole in the city!

 

Click the image above, or here, to see the gallery page for this, with details of the artwork.

 

Bonus! For the first time in several years, I made a “making-of” page for one of my works. If you want to read an in-depth guide to the (admittedly fraught) process of making “Lantern”, and find out more about the cultural meaning behind it, please click here or the banner below!

 

the making of



catching up with the Deathscape Navigator


Deathscape Navigator

Added some recent album packaging designs, one from this past summer and one from last year (belatedly). Above, you’ll see the cover and back cover of my album “Deathscape Navigator”. Click above, or here, to see the rest of the packaging art! Below, you’ll see the cover and back cover for the mix CD set I made for Ryan last summer. Click below, or here, to see the rest of that compilation’s art!

 

Catching Up...

Party on!



“Cacciatore” – remastered


Cacciatore

I revisited an old friend. Since I’d lost the original files for most of my circa 2007, 2008 work, I’ve gradually been remaking some of them here and there, remastered and able to be printed huge. In 2012, I redid my old favorite Automaton JDM. This time I decided to revisit “Cacciatore”, which I not only no longer could make big prints of, but always felt a little bit conflicted as to how the final product turned out. Here’s the original:

 

Cacciatore - original

I liked the general elements of the piece, but was always a little unhappy with the size and placement of the guy (my old roommate Patric) with the background, and was planning on fixing that before, when I had the original layered file. Also, while the whole splattered blood thing seemed pretty cool to me at the time, and I was going for a bit of a giallo Italian horror / crime movie vibe, over time I felt a little weird about it. Maybe it’s the fact that I’ve become more and more anti-gun over time… I realized a lot of my old pieces had guns in them, and I’ve been trying to steer away from that in recent years. This new version still has the gleaming golden gun, but I opted to tone down the general violent feel a bit. Maybe I’m just becoming an old softy.

 

For this new version, I scanned the 8×10 print I’d made for the original, and used that as a a base at first (for the outlines on Patric’s suit), then used the original two photographs (Patric, and the Alfa Romeo & spokesmodel) as a base and ended up redrawing the whole thing, adding new textures and changing things such as the highlights and shading of the car, as well as including the girl’s arms and showing the dash lit up. I thought about maybe having the woman more visible, as I went to the trouble of redrawing the whole background, even the stuff that can’t be seen in the final product…. but opted not to. The thing is, I took the photo of this spokesmodel and the Alfa Romeo Brera at the 2007 Tokyo Motor Show, when I was there doing freelance work for Intersection. Since it was press day and she was paid to be there to be in published photos, it’s fine for me to show her face in the Motor Show pics I have online, but I felt a little odd about having her face in the final artwork that I’m displaying online, since it’s unrelated to the original reason she was there. Plus, I think leaving the pic as it is maintains the mystery of the original piece.

 

Anyway, it was a fun project. Even though I have it further back in the gallery, with the other 2007 stuff, it’s basically a new illustrated-photography work from me. I’ve been in the mood to make a lot more, after taking a few years off from working in that style. I have some ideas that I want to get done, when I have time. Problem is, my manga work keeps me busy enough it’s hard to find time to work on my own stuff. Hopefully I can get another new piece done in December, since things will be mellowing out for a couple weeks mid-late month. I’m also still really wishing I could find models to work with here, but it’s hard in Nagasaki, where it’s a bit more conservative and a lot of people are shy. I’ve been really missing setting up big shoots with models, props, makeup, and wardrobe, and then making crazy illustrated-photography pieces from them. I may at least revisit some old photoshoots and make illustrated photography from them in the meantime, just to cast a new light on things. Anyway, stay tuned!



“Silence is Golden” – revisited


Silence is Golden - new art

Recently, I made a box set of my music for my friend Ethan, before he moved to Tokyo. For each of the six included albums, I redesigned the packaging and added some new art.I’ll make a post about more of that later, but to start, I wanted to share with you the two new illustrated photography pieces I made this summer for “Silence is Golden”, my 2006 LP. In addition to the original cover and back cover, I used two more photos from my shoot with Dawon to make an inner sleeve to hold the disc, one of which is a track listing. It was fun to revisit this photo shoot and make something new from it. Check out bigger views of this art in the Illustrated Photography section and see the packaging design in the Design section!



Flock Together


Flock Together

Hey folks! I’ve been dreadfully busy, as usual, but I made a little time when I was visiting Michigan recently (where most of my art supplies are) and made some new art. This piece, “Flock Together”, is the fourth in my series of pretty women with cute animals that I’ve been doing each of the last four autumns. I was planning on ending the series with this fourth one. If I get in the mood, I might make a couple more in the future, but for now, four seems like a nice even number to end it on. Click the above picture, or here, to see bonus stuff!

 

In other news, I went through the site over the last couple days and fine-tuned it a lot. All of the image thumbnails are bigger now, fonts are tweaked, and each main gallery page has a more colorful header. I also moved some more stuff to the Archive page, and took a few really old stuff off said page. I have a few new things I’ve been meaning to add, but will do that soon when I have a little more spare time.



Barefoot Gen cover designs


Barefoot Gen cover designs

Last year I had the great honor of redesigning the outer sleeves for Last Gasp’s 2016 Kickstarter campaign edition of Keiji Nakazawa’s “Barefoot Gen”. The first four volumes were released in hardcover form to backers, and donated to libraries and schools. Over time, the softcover versions of all ten volumes will be replaced by new editions with my designs. Click here or the above preview to see the sleeves larger and in detail.

 

For these covers, I scanned-in many interesting and emotional panels from my copies of the 1985 run of the Japanese edition. My books are old and weathered, and I decided to retain that for the images in my final design(hence the back cover of volume 3 having some damage, for example.) For the logo, I made that in sumi ink with a large brush.

 

I’m very proud of these designs, and very much enjoyed seeing the hardcovers in print, and am looking forward to seeing the softcover editions when they are in print. Barefoot Gen is an extremely important and historic work of art, and I’m happy I got to take part in its new print run.



Captain America VS The Nazis


Feeling deeply troubled by the news of the racism and violence in Charlottesville, I decided to make something cathartic, and a tribute to Jack Kirby’s great 1941 Captain America issue 1 cover.

 

Captain America VS The Nazis

It seems like history is repeating, no matter what name this hatred labels itself. Alt-right? Nahhhh, Nazis by any other name. I’ve never been a blind patriot, but I’ve always appreciated the multicultural side of America, and the fact that our major metropolitan areas are like microcosms of the world. I think the mix of cultures makes us all stronger, and I deeply sad to see that some people would want to hurt that diversity. If Captain America were real, I don’t think he’d approve. Anyway, this was a fun little thing to make. Click the pic above, or here, to check out a much larger view of this piece, as well as bonus stuff!