I just finished fully integrating my music into the site, after having it as a separate site for a long time. I haven’t had time to actually make any music for a long time now, but I’ve been going nuts wanting to, and invested in some new equipment and made a nice little home music studio setup in preparation for hopefully having some time later this year. When I finally do make brand new music, it’ll be under a new name, with new gear, new software, and a new sound. Figured a new, prettier, more in-depth site would fit that well! Click above, or here to go check it out!
Also, I added my old pre-2000 albums to the Archive page, just in case you want to read about and see art from my bizarre old “Evil Eye” albums.
There are probably some little errors I need to fix here and there, and I also plan on adding more later, but I have another avalanche of manga work coming up, so this is good for now. Catch you on the flipside!
PS: I’ll be coming to AnimeNYC for the first time, this August! I have no idea what my financial / time situation will be like then, but I got a badge, so I’ll figure it out. no set plans now, but if I end up doing any panels or other events, I’ll post more info on that later!
Hello everyone (anyone?) Just wanted to let you know that the store/shop/emporium is in a little state of flux for a while. I decided to strip all but ten of my works from Society6 (will likely be closing that eventually), and plan on migrating things to a different / more artist-friendly storefront in the future. Stay tuned for that later on! Also in the meantime, there will be links on certain gallery pages to for-sale stuff that is no longer for sale. I’ll update that when I am less tired. (Heck of an anticlimactic post here, huh? I’m posting about taking away stuff, rather than adding it!)
Anyway, be good to each other and I’ll see you later on, when I have more updates.
Hello everyone, it’s been way too long. Good news incoming on two fronts, but first a quick bit of a life rant / explanation for my frequent absence from my own site… As I mentioned in my last post, almost two years ago, work dominates my life and leaves precious little free time. Having a toddler at home and parents in their 80s who need a lot of help (I am “sandwich generation” defined!), and also having to work twice as much to make it as I did living in Japan… Well, all that eats up said free time and doesn’t leave me really any chance to make my own art. All my creative energies are pushed into publication design work, and after the kind of long hours I have to put in sometimes (I did several 70-80 hr weeks last year in a row) the last thing I want to do is look at a screen more when I’m finished. (often I’m sick from too much screen time.) On top of that, my horrendous attention span (getting worse all the time!) kind of further puts a wrench in my gears across the board in life. ANYWAYZ… Enough negativity, this is supposed to be a fun and exciting announcement!
I started the new version of my site two years ago, and it was supposed to be a small refresh of things (a “version 3.5” if you will) but it turned into a giant project. I dumped about a week into it – adding tons of new stuff, mostly manga lettering work – and redesigned all the pages, but then I decided I was feeling lukewarm on said redesigns, and started redesigning it again. Then I got buried in work for a couple years. 2023 has started with a little less work than normal (troubling for my bank account, obviously, but it’s nice to have a break) so I decided to finally finish this damn redesign! That’s the first point of good news I was referring to. Version 4.0 looks on the surface like a refresh of the last version, but there’s a lot changed under the hood, coding-wise, and I also added a lot of stuff, consolidated a lot of stuff, moved a lot of stuff to the archive, and deleted a lot of stuff. Also there’s more video now, scattered throughout the site. I’m hoping to add more and more video stuff in the future. As far as new work I’ve added, since there’s too much to mention here without making this blog post unreasonably long and self-indulgent, I’ll try to make some posts soon to showcase some of it. In the meantime, just go look around! There’s a lot that has changed.
There are a few incomplete areas, which I’ll get to when I have time. Despite doubling the amount of books shown in the manga lettering gallery, (and adding a ton more content to the existing pages), there are still some newer books, from 2022, that I haven’t uploaded yet. Just not enough time. That will come soon.
Oh, about the blog… I’ve never known how to really make my site mobile-friendly, and had for a long time been keeping that blog as seamlessly integrated with the rest of the site design as possible. I eventually put in some code I found to make the mobile version of said blog switch over to a more stripped-down smartphone friendly design. Problem is, that broke somewhere along the line, and the blog looked all kinds of messed up on a phone. (As in – the right side of the page going off the screen and unreadable!) Then, after updating WordPress, the desktop version of the blog broke too. I decided to just throw in the towel and not even try to match up the design of the blog with the rest of the site. It’s good enough for now, looks decent, and most importantly, works well on mobile! (finally!)
Anyway, the other good news I mentioned, and the reason I “ran out of time” to add 100% of what I planned on – I’m speaking at a couple panels this upcoming Saturday (1/21/2023) at Ohayocon in Columbus OH! That coming up made me decide to hurry up and finally finish (to a “good enough for now” state) this perpetually in-progress beast. I also made new business cards for the first time in ages, hehe. I don’t traditionally get a ton of traffic on this site (nowhere near as much as I wish I did), but I imagine there will be some influx of new visitors soon (hi!) and I didn’t want the site to be too out-of-date. I’ll post more about the Ohayocon thing in my next post. I’m really excited about it, because I’ve never paneled at a convention before! Kinda nervous too, but I imagine it’ll go just fine. I’m looking forward to meeting some of Ohio’s fellow manga maniacs there.
Ok talk to you soon! I hope sooner than two years this time. Best believe I haven’t abandoned the site. Life just keeps getting in the way of art.
I moved to Nagasaki Japan in January 2013, and as I type this at the end of 2018, my chapter here will likely soon be coming to an end. If all goes according to plan with immigration, my wife Miwa and I will be living in my home state of Michigan soon. All these years in this lovely Kyushu city have fundamentally changed me. No matter where I go, I feel that the experiences I’ve had here have made me look at the world differently and helped me to better shed some of my own cultural baggage and biases. Living abroad has helped me to feel stateless, in a good way. The distance I’ve had from my home country has made me feel more distant from it in some ways, and other experiences have brought my heart closer. My time in Japan has etched a part of that culture into my heart, while some experiences have reminded me how foreign I am in this archipelago. If it makes any sense, it’s brought me closer to myself as an internationally-minded person.
My previous illustrated-photography piece, Tatemae, dealt with the “masks” that we all wear when interfacing with the world. This deals with some of what’s behind my mask, and one of the things that will forever be a part of me is Nagasaki.
I made this work to be an album cover for a hopefully-upcoming album of my music. I’m way out of practice with making music, and despite my rabid desire to get back into it, and my wealth of ideas, I am always too busy with work to really get down to it. I finished this art seven months ago, and rather than let this artwork wither away without anyone seeing it, I’m posting it now, in hopes that I will get that album done later when there’s time.
While it may look like a simple wireframe, the image of my inner-self is that of an illuminated paper lantern, modeled after the giant, beautiful lanterns on display every February in Nagasaki’s Lantern Festival. The eyes, contain pentacles, which may look vaguely occult to some folks, but it’s actually the logo from the flag of Nagasaki, and can be found on official documents, and almost every manhole in the city!
Click the image above, or here, to see the gallery page for this, with details of the artwork.
Bonus! For the first time in several years, I made a “making-of” page for one of my works. If you want to read an in-depth guide to the (admittedly fraught) process of making “Lantern”, and find out more about the cultural meaning behind it, please click here or the banner below!
I revisited an old friend. Since I’d lost the original files for most of my circa 2007, 2008 work, I’ve gradually been remaking some of them here and there, remastered and able to be printed huge. In 2012, I redid my old favorite Automaton JDM. This time I decided to revisit “Cacciatore”, which I not only no longer could make big prints of, but always felt a little bit conflicted as to how the final product turned out. Here’s the original:
I liked the general elements of the piece, but was always a little unhappy with the size and placement of the guy (my old roommate Patric) with the background, and was planning on fixing that before, when I had the original layered file. Also, while the whole splattered blood thing seemed pretty cool to me at the time, and I was going for a bit of a giallo Italian horror / crime movie vibe, over time I felt a little weird about it. Maybe it’s the fact that I’ve become more and more anti-gun over time… I realized a lot of my old pieces had guns in them, and I’ve been trying to steer away from that in recent years. This new version still has the gleaming golden gun, but I opted to tone down the general violent feel a bit. Maybe I’m just becoming an old softy.
For this new version, I scanned the 8×10 print I’d made for the original, and used that as a a base at first (for the outlines on Patric’s suit), then used the original two photographs (Patric, and the Alfa Romeo & spokesmodel) as a base and ended up redrawing the whole thing, adding new textures and changing things such as the highlights and shading of the car, as well as including the girl’s arms and showing the dash lit up. I thought about maybe having the woman more visible, as I went to the trouble of redrawing the whole background, even the stuff that can’t be seen in the final product…. but opted not to. The thing is, I took the photo of this spokesmodel and the Alfa Romeo Brera at the 2007 Tokyo Motor Show, when I was there doing freelance work for Intersection. Since it was press day and she was paid to be there to be in published photos, it’s fine for me to show her face in the Motor Show pics I have online, but I felt a little odd about having her face in the final artwork that I’m displaying online, since it’s unrelated to the original reason she was there. Plus, I think leaving the pic as it is maintains the mystery of the original piece.
Anyway, it was a fun project. Even though I have it further back in the gallery, with the other 2007 stuff, it’s basically a new illustrated-photography work from me. I’ve been in the mood to make a lot more, after taking a few years off from working in that style. I have some ideas that I want to get done, when I have time. Problem is, my manga work keeps me busy enough it’s hard to find time to work on my own stuff. Hopefully I can get another new piece done in December, since things will be mellowing out for a couple weeks mid-late month. I’m also still really wishing I could find models to work with here, but it’s hard in Nagasaki, where it’s a bit more conservative and a lot of people are shy. I’ve been really missing setting up big shoots with models, props, makeup, and wardrobe, and then making crazy illustrated-photography pieces from them. I may at least revisit some old photoshoots and make illustrated photography from them in the meantime, just to cast a new light on things. Anyway, stay tuned!
Hey everyone! A couple years ago, I added examples of my manga lettering work to the site. Since then, I’ve done a lot more books (I’ve lettered 60 manga volumes to date!), but never really had the time to show examples of that newer stuff here. Well, I just posted a TON of samples of my lettering work, showcasing a wide range of techniques. You can see the extremely complex and challenging lettering tasks I’ve taken on on Real Account, the large amount of hand-written work I’ve done on Forget Me Not, the all-by-hand lettering I do on Land of the Lustrous, the crazy action-packed sound effects of Ninja Slayer Kills, and other fun stuff! Also, check out the work I’ve done on dream-come-true projects such as Akira (for the upcoming 35th anniversary box set), Die Wergelder, and The Osamu Tezuka Story. I’m still in disbelief that I got to work on Akira. I’ve been a big fanboy for that series since I was 13 years old! Also, feel free to take a look at some of the pages for manga that I’d previously posted here, such as Sankarea and Maria: The Virgin Witch, since I overhauled the pages and added new examples. I think in general, the stuff I chose to share gives a good example of my range as a letterer, and I’m excited to finally have something convenient to show to family and friends who are curious what I do. Oh and btw, I went out of my way to avoid using images that are spoilers, so if you’re a manga fan, don’t worry about having stories ruined for you when looking. While you’re checking out the samples, feel free to follow the links on each page to buy the books from their respective publishers! More manga selling means dinner on my table.
Anyway, you may notice that I’ve changed the location of my manga lettering pages from the Design gallery, to the Comics gallery. Even though I do plenty of design work as part of my manga job, as a whole it seemed like it would fit in better in the Comics gallery, not to mention adding a little life to that page (since I never seem to have time to make my own comics.) Go ahead and check out the Comics gallery to see everything, but if you want a handy little list of all the titles reflected there, here you go!:
PS: I also relettered a volume of Battle Angel Alita: Last Order a couple of years ago (another dream title, seeing as the original Battle Angel Alita is what introduced me to manga in the first place), but since I just handled dialog balloons, I figured there wasn’t too much to show of that.
What else is new? Since last I typed here, I had a crazy busy month of work, then a lot of preparation for my wedding, then the big day itself, then showing my parents around Japan for a couple weeks during their first visit here, then a couple weeks of recharging my batteries, then more work. I’m in a brief time of respite at the moment, then back to more work soon. I have another post ready to share with you soon, however, about another neat comic-related thing I worked on. Stay tuned!
Hey everyone! I’m, uhhhh, not DEAD. I finally made a new illustrated-photography piece. (Well, I made a quick one two years ago in ink over inkjet print, but this is my first digital one since 2013.)
Honne (本音) and tatemae (建前) are Japanese words used to describe the contrast between one’s personal feelings (honne) and the facade that one presents to the world (tatemae). While it certainly depends on the person, in Japan it’s often difficult to get past the wall that people put up and get to know someone’s true feelings. Generally this “wall” is a friendly one, mind you, but sometimes not genuine. I don’t think this is a uniquely Japanese thing, and I think we all conceal parts of our true feelings. I thought I’d explore this idea a bit since I find it both fascinating and frustrating.
One thing I often found unsettling while teaching English in Japan was how many of my students would wear a mask, not just when they were sick, but in general. Some kids wore it every day. Once in a while, during flu season, I’d walk into a jr high classroom and every single kid would be wearing one, and I’d be unable to fully “read” their social cues. I think for most people it’s a matter of stopping germ transfer when a bug is going around, but for the folks who wear them every day, it seems like the tatemae mask takes on a literal form.
Anyway, as usual these days for a lot of my art, you can pop on over to Society6 to order a print of it, or cell phone case, pillows, tote bags, whatevs!
In other news, this has been a crazy busy year so far with manga lettering, but pretty front-loaded. From now on I’ll have a bit more free time here and there to make more art and hopefully music. One of these days, I badly need to update the lettering section of my design page since it only reflects four of the 17 different manga series I’ve lettered, but that’ll have a wait a bit more. Right now, after a nice stay-cation, it’s time to get to work on the next book.
I will say, I got to work on a dream project earlier this year. I got to re-letter Akira for the 35th anniversary boxed set that Kodansha is putting out this fall! It was amazing! I’ve always deeply loved that manga, and it was a huge inspiration on me growing up, and to be able to observe Otomo’s art with the level of intimacy that working with it on my own computer brought, was a truly special experience. More on that later.
It’s been a while since I’ve posted here and even longer since I’ve had much new art to show. That said, I recently did a third piece in my cute girls + cute animals series, “Honey Bunny”. Click the pic, or here, to see details!
Anyway, not much else to say, art-wise. It’s strange to have a site dedicated to my art, but not have anything to post for a long time due to being too busy working in art to make my own art. I’ll post more examples of my manga lettering eventually, when there’s time, but basically that’s been dominating my life for a while now. I don’t totally mind though, because I’m working on some cool stuff! (I’m especially proud of something that I’m starting this month that I can’t announce until sometime next year, but it’s “dream-project” status.)
In other news, I’m living in Nagasaki again! I got married in August and decided to come back to Japan to live here with my wife while we do the immigration process for her and wait many, many months for that process to bring her to the states. Anyway, more later. Just wanted to tell anyone reading this that I’m not dead!
(I meant to make this post on July 15th 2016, a special day, but life got crazy-busy. Oh well, better late than never. I’ll explain the significance of that date soon enough.) (Also, in case you’re reading this several years later, something broke in my WordPress files and it’s jamming all the paragraphs together. Sorry if it’s a little hard to read because of that. I’ll fix it when I have time. )
When I was in middle school and high school, I used to draw a ton of comics. I’d usually crank out an issue per month, full-color, and sometimes two. I started several series, all of which were seen by only friends and family, and the occasional comic artist I was getting a portfolio review from. I had big dreams of exploding upon the comics world as soon as I graduated and finding a spot in said world for my manga-influenced comics – a sort of rare thing in the states, in the mid-90s. Various things eventually kept this from happening… the realities of life… I started college and didn’t have time to make comics. My interest in photography became a full-on passion and pushed the comics aside and I took on new hobbies like making music. I started having a social life in high school, and later in college at techno & house music nights. I started enjoying dating girls as opposed to just wishing I could be less awkward and shy. …aaaand my confidence in my artistic abilities and ability to network waned, but let’s keep this post positive. Anyway, let’s rewind… Read More